Consequently, we care about our typeface users, and strive to offer the most complete collections we can to meet your needs. Our license system follows the same logic, to ensure that we can guarantee the fairest price possible: we base it on the size of the company benefitting from the use of our typefaces. We design our typefaces to be used in the widest possible range of contexts. Even our most radical creations strive to be sturdy in small sizes and to resolve legibility issues.
For us, a typeface is more than a computer file: each family tells a singular story. Some of them are deeply rooted in history; others are the outcome of graphic and experimental research. Despite their differences, a vision and a gesture bond them all: Yoann Minet designed or worked on every character of our catalog.
We continue creating fonts because they reflect our culture and the way we want to shape it. With the ever-increasing presence of artificial intelligence in the artistic world, we believe it is more important now than ever to defend the pleasure of creating and using human-made creations. We are then making ours William Morris’ words, concluding “The Art of the People” Lecture given by William Morris at the Birmingham Society of Arts and School of Design, on February 19th, 1879.
Our licenses follow the same logic: they are based on the size of the company benefitting from our creations, ensuring pricing that keeps being as fair as possible for everyone.
Our typefaces are designed to be used in many contexts, which is why they aim to remain sturdy at small text sizes and to resolve legibility issues, even with radical concepts.